Jameson and the Order of the Comfy Chair
I have to admit to an appreciation of the reading from "On Interpretation: Literature as a Socially Symbolic Act." It had an almost anti-climatic, post- resolution sense of ease after weeks of butting our heads against Truth (big "T", little "t", CAPITALIZED, italicized, bolded, and "quoted "T"). It was like a cool refreshing drink after the parching desert where nihilist "monks" chanted a decentralizing mantra of "Nada, Nada, all is Nada." I found myself reveling in phrases that identified a principle as "the absolute horizon of all reading and interpretation" (181). I rejoiced in the resurrection of the author in the forms of Dante, Milton, and Joyce. I, too, believe that "even archaic moments of the cultural past...do not go away just because we choose to ignore them" (182). To grasp this cultural past is to behold a mystery. This mystery not only possesses a center, it requires a unified "human adventure" in order to be truly comprehensible. I stood up and cheered the formula, "Our presupposition, in the analyses that follow, will be that only a genuine philosophy of history is capable of respecting the specificity and radical difference of the social and cultural past while disclosing the solidarity of its polemics and passions, its forms, structures, experiences, and struggles, with those of the present day. ..." (182). The extreme graciousness of Jameson was impressive in noting that other perspectives, though having merit, are in fact, "more specialized interpretive codes whose insights are strategically limited as much by their own situational origins as by the narrow or local ways in which they construe or construct their objects of study" (183). I almost wept with relief after so much energy has been expended over the futility of words and the ethereal nature of language when I read, "Indeed, no working model of the functioning of language, the nature of communication or of the speech act, and the dynamics of formal and stylistic change is conceivable which does not imply a whole philosophy of history. ..." (184). All is not truly relative; there really is a mysticism implied in language that transcends mere formulas. As Telleyrand is credited with observing: "language ... having been given to us in order to conceal our thoughts" (184). Ahh! This is incredibly warm and comfy. Can I please have some marshmallows with my hot chocolate?
Sunday, October 4, 2009
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I am able to see your post if I drag the mouse over it, Renee.
ReplyDeleteI, too, was relieved to finally see the author, artist, and time period resurrected in Post Modernism. Yes, it is possible to analyze a work without the presence of the author, but is it truly an accurate analysis without this knowledge? Does it hold any true meaning? I have a hard time believing that it does.
ReplyDeleteThe rational of Foucault is refreshing. I agree that historical contents are what allow us to understand ruptures in our world. And, not only in our world but the world of the author. Sure, we can read the text and scrutinize for stability and meaning, but there is a human being on the other side of the pen that has been shaped by the events of their times. Without this historical knowledge, no text has full value. Foucault acknowledges that it is the "relation of force" that drives our world. What is written is a reflection of that concept.
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